# Southeast Asia’s Concert and World Tour Scene: A Quiet Market? 

- Link: https://www.thailand-business-news.com/entertainment/212163-southeast-asias-concert-and-world-tour-scene-a-quiet-market
- Published: 2025-04-26T10:32:46+07:00
- Author: Malou Le Besq

Many musicians often overlook adding more stops in Asia to their world tours, typically
limiting their performances to cities like Tokyo or Singapore. Why don’t more international
artists perform in this diverse and vibrant region?

Since the end of the pandemic, the music industry has proved to be a powerful weapon
for tourism and the economic recovery. In addition to their concert tickets, fans
have to spend money for transportation, accommodation and extras at the venue, generating
considerable revenue for the host country. 

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When international artists decide to come and play in Southeast Asia, they most 
often turn to Singapore, which has become the hotspot in the area. Seeing the impressive
results spawned by its entertainment industry, the surrounding countries have started
to compete for artists. On your marks, get set, go: it’s up to whoever is the most
attractive despite the various obstacles in their way. 

## Insufficient Infrastructure: A Significant Challenge

A major barrier for Western artists touring Southeast Asia is the region’s underdeveloped
logistics infrastructure. Many observers point to the shortage of suitable venues
and the lack of adequate security systems to accommodate renowned artists and their
spectacular shows. 

Vietnam, for example, lacks arenas that can hold over 30,000 people, making it impossible
to provide sufficient space for large crowds and keeping the country on the sidelines
of the biggest concerts.

Additionally, without any long-term cooperation in place, it is sometimes difficult
for tour organizers to find local partners, which, when combined with language barriers,
makes collaboration difficult. 

Finally, the cost of organizing such large-scale events is a deterrent. It costs
at least $2 million to cover the expenses of celebrities such as Rihanna and their
team–a price often too high for some countries, which have to pass up on a golden
cultural opportunity. 

## Low demand and cultural differences

Organizing an event that will hardly be profitable is unlikely to happen: the artists’
teams choose to focus on regions where they know the fanbase is solid and ready 
to attend shows. 

Today, thanks to the use of streaming platforms, many Asians listen to Western songs,
as music from all over the world is just a click away. For several years now, a 
trend consisting in traveling the world only for a concert, regardless of the price,
has also been developing on social media. Thus, many are prepared to spend large
sums of money to see their favorite singer live.

However, pronounced cultural differences can sometimes put Western artists off. 
They may prefer to perform in front of audiences they know, or who speak their language.

Sometimes, it is ideological differences that set some countries back in the race
for concerts. For example, Chris Martin’s support for the LGBTQ+ community has been
the subject of religious polemics in Indonesia and Malaysia, accusing the Coldplay
singer of promoting a deviant culture, and making the band reluctant to perform.

## Singapore, a strong contender that outpaces its rivals

If there is one country that does not seem to have to worry about the competition,
it is Singapore. As per the custom of Southeast Asia, Singapore is an excellent 
negotiator and more often than not, manages to broker exclusive rights to a concert.

This is how, in 2024, the Singaporean government secured Taylor Swift’s exclusive
appearance from booking agency AEG. It was revealed in February 2024 by Srettha 
Thavisin, the former Prime Minister of Thailand, that Singapore had offered AEG 
nearly $3 million to secure the arrival of the Eras Tour in the Republic. 

This is not the first occurrence of this phenomenon, and if it’s an expensive gamble,
it’s one that pays off handsomely. It is estimated that [Taylor Swift generated several million dollars in revenue for the Singaporean economy](https://www.thailand-business-news.com/economics/155432-the-rise-of-swiftonomics-fueling-singapores-entertainment-hub-growth)
over six concert evenings–more than enough to repay government subsidies. 

Following this example, Indonesia has set up a tourism fund worth some $86 million
to attract international artists to its doorstep. 

## The future of live music in Thailand 

In the face of this competition, Thailand is not to be left behind. In 2023, world-
renowned artists such as Harry Styles and Arctic Monkeys delighted fans by performing
in Bangkok, but this was still too occasional for the country.

In February 2024, former Prime Minister Srettha Thavisin invited AEG representatives
to discuss potential measures to encourage new international artists to play in 
the Kingdom, which included subsidies and tax breaks. 

To attract more “mega-concerts”, there is also talk of adapting the visas required
to set them up, as well as authorizing the sale of alcohol in concert halls–currently
banned at certain fixed times. 

The Thai live music market is expected to expand further, reaching $176 million 
in profits by 2025. The country can notably count on the recent explosion of “festival
culture”, pushed forward by the government and its IGNITE Thailand project. 

Through various strategies, such as auctions to secure the rights to host an event,
support platforms for organizers, and the creation of a “Festival Academy”, Thai
leaders are encouraging the formation of a genuine festival industry. The world-
famous Tomorrowland is also due to take place in Bangkok next year. 

With efforts to attract prestigious international concerts and to develop a blooming
festival scene, Thailand aims to position itself as a key player in the Southeast
Asian music industry. If it succeeds in harnessing the soft power of cultural icons,
it will be able to sustainably raise its profile on the world stage and become a
key venue for future tours. 

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This year, following Ed Sheeran’s legendary concert in February, a number of big
names from the West are expected in Bangkok: Green Day, Cigarette After Sex, Gracie
Abrams, Tyler, The Creator, Kylie Minogue, Glass Animals… Most are already sold 
out. 
